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From campy folk songs to hard-hitting headbangers: a retrospective of an enigmatic and curiously persistent religious music scene
2016.11.01 06:34 raoulduke25From campy folk songs to hard-hitting headbangers: a retrospective of an enigmatic and curiously persistent religious music scene
I couldn't tell you the number of times over the years that the subject of Christian metal has come up in which somebody asks, "How can you have Christian metal? Isn't that a contradiction?" Those of you who have been listening to music for a long time might wonder what would prompt somebody to ask this. After all, you may be thinking, music is just music and people can sing about whatever subject they like in whatever style they like. And this is true, but this wasn't always so. The big disconnect comes into play when you understand what Christian music was limited to for the past couple thousand years: music intended to be used in the Mass or Divine Liturgy. Music was introduced into Christian services as a way to solemnise the Christian sacrifice and as such was there to lift the spirits of the worshippers to think of higher things. As such, no percussion was used as percussion has a temporal aspect to it, marking time in rhythmic sequence. The music had to be removed from the confines of time. Not only was percussion not used, but no instruments were used at all until the fourteenth century, and even then, it was only the organ. Instruments in general (and percussion especially) were associated with revelry, carousing, and the like. Not necessarily evil things, of course, but not appropriate for worship. The concept of writing Christian music with instruments would not happen until the Renaissance. Writing Masses with percussion was done in the eighteenth century, but these Masses were not originally intended to be sung in an actual Mass. But slowly over the years, Christian artists began to appropriate various "profane" instruments into their music. Again, never for worship purposes, but rather just to make music. But even with the explosion of musical genres in the twentieth century, I don't think anybody had any idea where Christian music would go. Religious people by default shunned musical innovation. The atonalists were criticised equally by musical purists as well as clerics. Jazz was heavily stigmatised by practising Christians and wouldn't become mainstream for several decades. Rock underwent the same stigma and as artists began delving into lyrical themes of drug use, illicit sex, and the occult, there began to foment an idea that rock music (not just the lyrics) was literally of Be'elzebul himself. But there was a group of people in California in the late sixties who practised Christianity but were culturally part of the hippie movement. They protested the war on Saturdays, but they went to church the next morning. They played rock with guitars and drums, but they sang about Jesus. They had long hair and tattoos, but they carried bibles under their arms. They lived in communes, decried cannabis consumption, sang original scripture songs instead of the traditional hymns used in evangelical churches. This appropriation of guitars and percussion into Christian songs was the beginning. For hundreds of years, Christianity was the leading cause for innovation in western music. But now that Christian music was taking from other existing forms, it fell into a place where it would be perpetually cursed: always riding on waves of the successful music from four (4) years ago. So the first Christian rock album (The Minority - From Bach to Rock) would come in 1967a and it sounds curiously like early Peter, Paul & Mary, Bob Dylan, and the Beatles from 1963. This hippie-infused Christian folk/rock would remain in relative obscurity before eventually leading to Christian hard rock in the seventies. In 1980, four (4) years after the release of Judas Priest's Sad Wings of Destiny, the first Christian metal album, Hear the Light, would be released by Barnabas, a California-based band formed in 1977.
By the time 1985 rolled around, scores of good Christian metal bands were forming or had already put out releases. The Christian metal scene is doomed to obscurity forever for various reasonsb and all but the three (3) most popular bands classify as "obscure" by the standards of this subreddit. So whilst Stryper is practically a household name, people who are even remotely familiar with Christian metal will know some bands like Barren Cross, Saint, Bloodgood, and Bride. So here are some of the ones that fly under the radar sometimes:
Maybe if this forum is still here a decade from now, I can cover the nineties and delve into the history of the Christian black metal scene. But for now, this is where my story ends. For those of you who are interested in more, feel free to visit /christianmetal. Thanks for reading. a. Special thanks to ColinOnReddit for digging this release up and sharing it with all of us here some time back. b. Christian metal can never be mainstream, for the main reason that if you are promoting Christian beliefs, you will be a tiny minority in the metal scene, and if you like metal, you will be a tiny minority of the Christian church. Both groups - metalheads and Christians alike - have generally agreed with each other in that Christianity and metal are incongruous to each other and to have heavy metal songs sung from a Christian perspective is contradictory.
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Category Music; Suggested by UMG The Police - Every Breath You Take; Song Waves; Artist Mr. Probz; Licensed to YouTube by SME (on behalf of Ultra Records, LLC); CMRRA, SODRAC, ASCAP, Downtown ... This feature is not available right now. Please try again later. Atef & David - Följ Me Mig Instagram: Atef: ak_one_47 David: mendess47 Inspelad i Fritidsgården Southside, Tumba. 50+ videos Play all Mix - 02 Följ med mej YouTube; Fragglarna S1E12 Ljusstrålen - Duration: 24:03. ... Fraggle Songs UK VHS Intro - Duration: 2:37. RoadRunnerCoyote2015 124,415 views. 2:37. Några ögonblick från vandringar i sydöstra Kretas landskap. / A few moments of hiking in the landscape on south-east Crete. Musik: Povel Ramel, artist: Arne Domnérus från skivan 'Himlajord ... This video is unavailable. Watch Queue Queue. Watch Queue Queue Song Följ med mig; Artist Agnetha Fältskog; Album De första åren 1967-1979; Licensed to YouTube by SME (on behalf of Cupol); Muserk Rights Management, and 2 Music Rights Societies; Inspelat: Stockholm 30 dec 1954, utg jan 1955 Längd: 3:16. BEST HINDI MOVIE SONGS FRÅN VHS BAND 1986